This article responds to an identified and significant gap in the existing scholarly canon to consider the extent to which cinematic representations construct heroin users—the ‘junkie’—as a criminalised ‘Other’ which confer legitimacy on the notion that such are criminogenic and deviant. Positioned within the disciplinary bounds of cultural criminology, this article focuses on five films - Sid and Nancy (1986); The Basketball Diaries (1995); Trainspotting (1996); Requiem for a Dream (2000); and, T2 Trainspotting (2017). Drawing together Hall’s (1997) theories of representation and Hjelm’s (2014) theories of social constructionism, the findings from a narrative analysis of each of the films—individually and comparatively—explores the following themes, junkies: as criminogenic; as dangerous underclass; as embodying decay and depravity; and in relation to female junkies, as junkie whores. In doing so, this article elucidates new thinking and ideas about cinematic representations of junkies and how this shapes and influences social norms and mores.

This paper discusses the transformative role Artificial Intelligence (AI) is anticipated to play in the film industry, specifically concerning its capacity to enhance and redefine the parameters of cinematic realism. As the integration of AI in the cinematic field gains momentum, an exploration of its implications on the perceived realism in film is essential. The paper first outlines the historical trajectory of realism in cinema, mapping its evolution and its core principles with respect to technological advances; we then introduce AI as a disruptive technology poised to reshape this trajectory. The focus of the paper lies in examining how AI, through its advanced image recognition and synthesis, data analysis, and deep learning capabilities, has the potential to revolutionise traditional methods of film production, post-production, and distribution, significantly impacting the authenticity of cinematic narratives. The paper then discusses potential drawbacks, such as the risk of over-reliance on technology and the ethical implications of AI utilisation, offering a balanced perspective on this emergent phenomenon. The paper aims to inform film scholars, industry professionals, and enthusiasts about the profound transformations AI is set to bring, propelling the discussion towards the future of film in the era of artificial intelligence.