Several main themes emerged from the data gathered from the interviews. These major themes are presented below.
5.1. The Importance of Newcomers and the Role of NGOs
Most of the newcomers we interviewed in Hosman are involved in one or other of the NGO projects functioning in the area: "(...) what made me stay were the people I met, the relationships I built and the projects I saw I could get involved in. I love the culture and way of life in Romania. There is so much more freedom." (E, 39, newcomer, NGO). Locals, however, do not necessarily feel that newcomers are becoming deeply involved in the community: "(...) people like that, who bought earlier on, I don’t know them. There are strangers, but they don’t get involved, for example someone bought on that street (...). Then they don’t get involved, they renovate their houses, but they don’t have much to do with the rest of us" (P, 56, local resident/employee).
While the newcomers to Râu Sadului do not yet consider themselves integrated into the community although they want this to happen, the locals tend to be "sceptical" and to need a period of time to feel that they are fully integrated: "It is quite difficult for an outsider to integrate when he comes to the village. I mean, it takes quite a long time for a local to get used to him, i.e. who is he, what is he, what is he interested in, and then after a while he begins to accept him. Our people in the community are more sceptical, especially here at home. At first they seem, if you come for the first time, quite helpful and hospitable, but that’s also with the idea of taking you apart, to see what’s wrong with you..." (D, 38, administration/local).
One of the most relevant categories of newcomers identified in the villages studied is that created by the desire for a lifestyle that focuses on the consumption of nature and rurality and the search for identity, belonging and status. It is this category that tends to mobilize to preserve the status quo and to resist any further development in rural areas. The actions of this category of newcomers lead to ’micro-geographies’ and micro-communities of rural gentrification. When newcomers have higher incomes than the pre-existing population, a locality can undergo a process of rural ’super-gentrification’. Smith & Phillips [
25] observed two distinct socio-spatial patterns in the ’consumption’ of representations of rurality. One is the pattern of socio-spatial isolation, involving detachment from the urban environment and a space for self-discovery, while still allowing for the possibility of commuting to urban areas. The second model relates to a sense of community, the ability to work from home, and a bucolic environment. Based on this typological division, an internal micro-geography can be identified that divides individual newcomers into more affluent ’sunny side’ and less affluent ’dark side’ professionals in accordance with their perceived wealth [
26]. Whether these rural ’micro-geographies’ occur in ’certain’ places or are more related to proximity to urban locations remains to be studied [
20]. Both "selectivity" in the choice of migration destination and the impact of the receiving context differ by gender [
27,
28,
29]. In terms of family behaviour and gender roles, many aspects may be especially important among women. It is clear that as far as this category of newcomers is concerned, the use of traditional homes changes in accordance with the new way of life.
Viewed through the lens of cultural heritage, the concept of resilience is a means towards the building of resilient communities. NGO- and volunteer-led activities in rural areas with a rich cultural heritage produce a range of geographies, politics, micropolitics, and representations of place and space. In many rural communities, cultural heritage is coming to be managed by various volunteer groups or non-profit associations working to this end. These have different raisons d’étre for their existence, as can be seen in Hosman: "Our village is full in the summertime, like in the old days. (...) Yes, so you can’t say it’s a deserted village...it’s not deserted at all, even with quite emancipated people, just how many NGOs there are..." (A, 52, local woman). A number of NGOs are working here, involved in a range of activities, some of a social nature (the Elijah Association, an Austrian social initiative functioning here since 2011), some with the role of protecting the built heritage or crafts (Hosman Durabil [Sustainable Hosman], Moara Veche [The Old Mill], and the Friends of the Mocănița Association, which is working to revive a narrow-gauge railway of over 100 km in length that operated until the 1960s), and others with the role of protecting the natural landscape, flora and fauna (Forum Peisaj Deschis [Open Landscape]). The Elijah Association, which provide social services such as social day centre, family house, socially oriented dental practice, carpentry workshop, music school, multipurpose centre, and canteen, started its work in Hosman to help neglected Roma children and their families. The Sustainable Hosman Association is an independent and self-managed NGO based in Hosman. It runs the Old Mill complex and the regional brand "From Hârtibaciu, with love" and operates as a civil society actor. The Mill team is part of the European Longo maï cooperative: "...there are many activities in Hosman (...) they are also involved in the Old Mill, (...) they have created some jobs. A lot of people who used to commute have stopped doing so and now they have jobs in the village." (P, 56, local resident/employee).
Where Râu Sadului is concerned, the Țara Colibelor [Land of shepherds’ huts] project, promoted by the My Transylvania association and centred on this village, is attempting to protect the traditional landscape of the shearing huts by preparing an application for UNESCO classification. They have identified 70 huts, of which 35 are functional, 20 partly collapsed and 15 completely collapsed. Ten are used for traditional activities in the summer and only two in the winter. By comparison, in the 19th century, according to the Râu Sadului monograph, there were 214 functioning huts [
30]. UNESCO listing would give recognition to the huts and would be a confirmation of authenticity; it could even become a brand for this destination. A positive effect of this would be much stricter legislation to help preserve and rehabilitate this landscape. On the other hand, global recognition could lead to an increase in the number of tourists seeking authentic experiences, leading to an over-commercialising of local culture. The NGOs’ mission to create change is also moving in the direction of digital practices (social networking, web technologies, data interlinking, platforms that help volunteers maintain a digital presence over time). The use of technology is a way to push communities to grow, offsetting the problems created by geographical distance; communities are also finding new ways to collaborate, which is increasingly becoming a means of survival. Digitisation is therefore seen as ’a step forward in resilience’, with technologies becoming channels through which relationships can be built between local and global communities.
The creation of digital archives or websites by heritage volunteers is slowly replacing traditional methods of ’word of mouth’ transfer of community cultural knowledge. The pace of change, with the younger generations moving to cities or even abroad is leading to fractures in the potential for the transmission of community cultural knowledge. Therefore, the need for ’post-memory’ arises and finds expression in archives, museums, historical societies) [
31,
32]. The virtual representation of place through archives and social media therefore becomes an example of how community heritage and culture can be used to help build more resilient communities [
3]. In the context of rapidly increasing availability of European funding for rural environments in recent years, NGOs can intensify and accelerate uptake in interest in cultural heritage and also resist possible misuse that would damage it.
The vast majority of those interviewed in Râu Sadului, newcomers and local investors as well as the local authorities, know and support the involvement of My Transylvania in promoting the cultural heritage of Râu Sadului. The association has been active in the locality for seven years, during which time it has carried out several projects. They are well known for the gastronomic events they hold, their involvement in saving the shepherds’ huts, including the preparation of a UNESCO file for this purpose, the creation of a prototype Tiny House and, more recently, for their involvement in accessing European funding for the "Cultivating Beauty in the Land of Huts" project, which involves the renovation of some traditional houses in the village. But the My Transylvania representatives are not only trying to preserve and save the existing heritage; they are also aiming to introduce innovative elements, new concepts: "we are also trying to introduce tastings of local culinary products, with a dash of innovation in the traditional, not that we want to change it, but just to try out different concepts (...). The things we learned when we were renovating the huts led us to develop a prototype of a new cottage, where we are applying these things, materials produced from various substances and from hay, which we tried out via workshops held around the village (...) We wanted to build, from scratch, a cottage inspired by traditional architecture, which would become a model for locals." (C, 48, NGO).
However, some locals have reservations about the work being encouraged by the NGOs. Their sense of property is sometimes stronger than their pride at being the owners of valuable cultural assets, which means that in-depth involvement on the part of the NGOs is needed before the local population can understand the role of heritage and participate whole-heartedly in saving it: "and with UNESCO we thought, some were enthusiastic, UNESCO is coming, we are protecting the area... But people, when they hear about it, they are so... What do you mean? Am I not allowed to do what I want on my land? It’s my land..." (D, 38, administration).
In conclusion, the mechanisms of integration of newcomers in the analyzed villages reflect the hallmarks of rural gentrification. Newcomers, often with higher incomes than the locals and a different set of aspirations, tend to become involved in various projects in the villages. However, there is either skepticism or misunderstanding of those types of projects among the locals.
5.2. Small Entrepreneurs and Tourism
We identified that we have a vicious circle involving a contradiction between the tourist promotion of the area, thanks to its built heritage, and the emergence of a tourism infrastructure that works to its detriment. Landscapes and cultural heritage are attractive to tourists and small entrepreneurs, but at the same time the landscape changes as a result of tourist and entrepreneur activity. Insufficient funding leads to a failure to consult specialists and this, together with the need to ‘get rich quick’, leads to haphazardly constructed tourist developments that devalue the area. Some investors are beginning to realise the mistakes they have made when they see tourists opting to stay in places where more thought has gone into planning, and there has also been a recent shift in tourist perceptions of the value of appropriately designed accommodation as the range of facilities available to tourists has developed.
The development of tourism and the implications for heritage and the built environment were the subject of a study carried out by the Romanian Order of Architects together with the Heritage Association [
33], of changes in the built environment and the loss of traditional houses in Bucovina (north-eastern Romania). In the context of accessing European funds for infrastructure and tourism, such studies, which provide justification for measures to protect and enhance the landscape and cultural heritage, could reduce the negative impact of new developments. Drawing a parallel between the mountain landscape of Bucovina and the mountain landscape of the sheep huts in the mountains near Râu Sadului, both can be said to be landscapes "sensitive to human intervention", and the appearance of new buildings can alter them irreparably.
On the other hand, the nomination of some areas or objectives as having heritage value has created around them a preferential zone of proximity in which a densification has been artificially created, so that it is precisely in these areas that the most inappropriate interventions into the appearance of the built space are to be found, such as entirely unsuitable colours, materials, and dimensions. Local people may still opt for cultural and ecological tourism (as recommended by sociologists) rather than mass tourism. In parallel with this, Li [
34] observes the existence of "inherent contradictions" between conservation objectives and the changes brought about by tourist development in heritage destinations, leading to a number of conflicts. Of these, commercialization-authenticity and modernity-tradition clashes are particularly relevant to World Heritage Sites, as their natural and cultural resources are often subject to commercialization and transformation because of the desire to house increasing numbers of international visitors [
35].
Leaving tourism aside, technogenic landscapes are linked to crafts and to small workshops and production facilities. These landscapes in turn attract small investors looking for something specific to their field of activity: "I’ve been here for seven months, I’m basically blacksmithing [...] on my own here. I’ve been a journeyman for five and a half years and I’ve travelled the world a lot. I want to combine old smithing techniques, about 1,500 years old, with modern designs [...] especially in Romania, where there are not many blacksmiths and you can show people what you can do." (F, 36, investor). Indeed, some buildings not formally being used for community needs offer potential for the development of heritage resources"(...) and there is an association called Hosman Durabil, there was an old mill there and they rebuilt it" (P, 56, local resident/employee).
In conclusion, it is crucial to highlight the inherent contradiction between the promotion of a rural area based on its heritage (including both built and cultural aspects) and the potential negative impact of tourism-related infrastructure and practices on the area’s original distinctiveness.
5.3. Influences on Built Heritage
The authenticity of the landscape and traditional buildings is one of the main attractions of rural areas, which can attract young people from larger towns or even from other countries. In addition, the slower pace of village life and the ’sense of community’ exert a pull on young people in particular. The type of property owned by newcomers also broadly reflects the type of cultural capital desired (targeted) by them. The layout of traditional dwellings, both those in former Saxon villages and those in Romanian rural areas, is renowned for offering privacy, seclusion, and closeness to nature. Perceived desires for privacy and isolation, however, do not necessarily take the form of socio-spatial isolation from the rest of the village.
The purchase of traditional buildings by newcomers as primary or secondary residences or even for tourist purposes brings with it changes in the practice of preserving or renovating old buildings, changes to property prices, and also changes within local communities; it may even generate the development of new areas within traditional settlements. Analysing the dynamics of new housing construction over the last 10 years, we can say that the preference in the two villages studied is for buying old houses rather than building new ones.
Locals value their built heritage, but when it comes to choosing between a traditional and a modern house they generally opt for the modern one, mainly for practical reasons, as captured in the interview with A, 52, a local woman from Hosman:
"I’d like a new house, a traditional house... I don’t know what you mean. [...] I liked our old house, but it’s harder though. I’ll tell you, those windows were harder to wash. [...] Now I wouldn’t build a traditional house, if I were to build a house, I think half the walls would be glass. [...] These traditional houses really have small, narrow windows. They’re cool like that, but I don’t know... [...] Now in this century of speed, what can you do with a traditional house?"
Newcomers are strongly inclined to buy and value traditional houses:
"I love history, and I think it’s worth saving for us and for future generations; if we do it together we might attract visitors who like this kind of village." (D, 54, newcomer) Others even feel that "if I can create objects that go with the houses and the architecture of the buildings, that’s what I enjoy doing the most. You have to combine simple things with modern design, but not everyone does that well.".
(F, 36, investor)
The newcomers try to model, educate and set examples of good practice to the community, as evidenced by their ’advice’ on maintaining the character of traditional housing: ’without rules, traditional cultural architecture will become a relic and the few remaining houses will have to become museums. (...). The interventions I would make would be minimal. Restore and stabilize initially and then use the old methods in combination with some modern or eco methods (e.g. photovoltaic) for any interior work. While maintaining the integrity of the building." (E, 39, newcomer)
In the case of Râu Sadului, we observed a tendency to fill interstitial spaces with new constructions designed either for tourist purposes or for various purposes connected with agricultural activities or services. All the newcomers interviewed expressed their preference for traditional houses and for their preservation and conservation. The need to adapt them to the demands of daily life is obvious, but the intention to preserve as much as possible of their authenticity and spirit shows that their beauty can be regarded as one of the factors that led them to choose this destination, as shown in the interview transcripts : "I love everything old and rare. Interventions that are as little invasive as possible but offer the minimum of modern comforts (bathroom, toilet)" (S, 40, newcomer).
Another issue is the careful selection of materials that have been used or are to be used in the renovation of houses, huts, or any other building in the Râu Sadului area. Both NGOs and newcomers are paying particular attention to these, hoping to create a ’model’ of good practice for locals and others who are planning to build here. At least they have succeeded in drawing attention to the possibilities of using traditional materials in a practical and modern way: "For example, in these huts that we were trying to preserve...40 years ago, asbestos cement became available, then galvanised sheeting, then some of those asphalt or corrugated board sheets, and to hell with the traditional wooden roofing shingles. I mean, they’ve lost the craft of shingling. (...) We brought some specialists and we looked for ways to restore it in good taste (...) We wouldn’t have had the idea if someone hadn’t come to advise us" (D, 38, administration).
As in Hosman, both newcomers and NGOs pay great attention to detail: "We used local timber, produced by a local - it’s a dying craft that we want to preserve. (...) In terms of insulation, we wanted it to be a traditional cottage, but comfortable and up to date inside. On the outside we have wooden fibreboard, and on the inside a 15 cm thick layer of wool, collected in the Sibiu area." (C, 48, NGO)
On the question of consulting specialists and planning regulations, opinions are unanimous. Consultation with a specialist is regarded as mandatory or at least advisable when dealing with aesthetic or technical problems. Another problem we identified is the authority exercised by people with financial power and by craftsmen and builders when they are engaged to carry out particular projects. Their advice and recommendations take precedence over those of specialists or local authorities. The financial power of those who build houses for themselves is felt in Râu Sadului: "the richest will have stainless steel gates, balconies at the front...and no one sits on this balcony. You have a yard...get out into the yard! Who lives on the balcony?" (D, 38, administration). Gates are identified as elements of local identity, part of the history and development of the community, and greater care needs to be taken when it comes to them. The problem regarding gates is expressed by both newcomer and administrative interviewees: ’I’ve seen some gates being made now, we, you’d say they were cave doors. Terrible! And I haven’t seen a single one with a traditional gate newly made, or at least repaired. The old ones were old, and what was new was new! This is no place for iron, and polycarbonate...or stainless steel! That’s exactly why they shouldn’t be allowed to." (Z, 36, newcomer).
In conclusion, despite the appreciation of the local population for the region’s heritage, the preference for modern housing in terms of practicality remains. In contrast, the rationale for newcomers to relocate to the village is the desire to immerse themselves in the historic built environment, even if this necessitates greater effort and expense.