Preprint Article Version 1 This version is not peer-reviewed

What to Deconstruct in a Literary Text?: Illustrations from Ira Trivedi's The Great Indian Love Story and India in Love

Version 1 : Received: 26 July 2024 / Approved: 12 August 2024 / Online: 13 August 2024 (08:05:00 CEST)

How to cite: Mir, S. M.; Rahaman, V. What to Deconstruct in a Literary Text?: Illustrations from Ira Trivedi's The Great Indian Love Story and India in Love. Preprints 2024, 2024080845. https://doi.org/10.20944/preprints202408.0845.v1 Mir, S. M.; Rahaman, V. What to Deconstruct in a Literary Text?: Illustrations from Ira Trivedi's The Great Indian Love Story and India in Love. Preprints 2024, 2024080845. https://doi.org/10.20944/preprints202408.0845.v1

Abstract

The research paper examines ‘aporia,’ ‘Différance,’ ‘binary oppositions’ in Ira Trivedi's "The Great Indian Love Story," and India in Love focusing on the characters Riya, Serena, and Permeet's experiences. Derrida’s deconstructive approach is applied to trace out ‘binaries’, ‘aporia’, and ‘Différance’ of sexuality and stigma in literary texts and real human life. It highlights how these characters seem/likely to challenge Indian societal norms and values, societal prejudices and discrimination that lead them to experiences of marginalization and exclusion of the self from other selves. It is observed that deconstruction is an apt approach to literature not a destructive approach.

Keywords

Deconstruction; Ira Trivedi; Modern India; Indian English Fiction

Subject

Arts and Humanities, Literature and Literary Theory

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